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Release: 13th May 2013  

Releases by Stephen Cracknell and his acclaimed project The Memory Band have always lent themselves to journeys and landscape: dream-like stumbles through stony megaliths, wintry climbs along snow-covered hills, drunken dashes through sun-splashed fields with a summer love. Their records have always been more pre-occupied with external narratives than internal emotions. But perhaps never before quite as literally as on adventurous new album On The Chalk (Our Navigation of the Line of the Downs), a beguiling musical tribute to a mythical ancient pathway crossing a Southern England shrouded in mystery and withered by time.  

Made of eleven songs spread across haunting horn noises, crackles, drones, blissed-out beats and tender piano melodies, this fourth studio album marks the tenth anniversary of one the most invigorating and much loved folk acts around, a group described by NME as “a disorientating, drugged-up soundtrack for the 21st Century… genuinely beautiful.” And speaking of monumental journeys, it’s been quite a road to this moment for Cracknell and his ever evolving cast of collaborators.  

“I’ve had a decade of marginal poverty, nice trips and the company of wonderful dreamers,” laughs the mercurial composer, formerly seen fronting much loved outfits The Accidental and Balearic Folk Orchestra. “The idea with this record was it to be sort of a road trip along a mythical track way, an irreverent and episodic journey across a landscape inundated with history and the marks of change and transformation, some striking and immediate, others slow and imperceptible.”  He may as well be describing his own sounds to be found in On The Chalk… – for every jaw-dropping shimmer of harp or arresting moment of reed organ, there’s an avalanche of clever quiet detail to be unearthed, with cinematic overtones that recall his Wicker Man touring soundtrack that Cracknell has taken to fields everywhere from Glastonbury, Green Man to a castle in Jersey.  

Cracknell says: “There’s been a real revival of interest lately in old roads and green lanes, in literature, art and film. This has run parallel to so much of the renewed interest in folklore and folk music. One supposedly ancient trackway that I'd hear referenced again and again was the Harrow Way, which stretched from the Straits Of Dover all the way to the west country by an overland route on chalk ridgeways.  I grew up in a place supposedly along its route.”  

What followed was a period of extensive research, digging deep into his own past and the World around him, listening to a strange combination of traditional folk-songs and seminal British landscape music such as Chill Out by acid house pranksters the KLF, tracing old roads and creating ambient recordings on site for use on the album. ”It was all a lot of fun, running round the country playing at psycho-geography,” recalls Cracknell. “Like the landscape that inspired it, it’s an album that at times is dark and imposing and at others more peaceful and serene.”  

Recorded in the songwriter’s home studio in East London (“an empty schoolroom overlooking a park… quite a peaceful place for London, really”), this is an album by a group who, like their subject matter, have changed and grown over time, but remain every bit as vital as ever.



"This is an ambitious record, laughable uncommercial and strongly individual: an early contender for album of the year." [Shindig]

"Its insidious melodies unfold through brilliantly sophisticated textures. A real grower." 9/10 [Mixmag]

"Funny, sad, intimate and above all pleasantly convenient music. Excellent, excellent!" [Vital Weekly]

"Heartbreaking album closer Where The River Meets The Sea completes a meandering masterpiece... In a just world, this too would be getting a nod for the Mercury. But then again, that’d probably ruin the magic." [Crack Magazine]

"It does sound genuinely new and innovative which is a rare thing" [Norman Records]

"Don’t fall into the mistake of assuming this album is clichéd – Stonehenge, ancient routes and pastoral idylls may be familiar themes but The Memory Band don’t just discover these themes; they acknowledge their importance in a contemporary setting, and present their discoveries with more appeal, sincerity and originality than many a self-appointed guardian of tradition." [Folk Radio]

"Cracknell's most adventurous artistic statement yet, and one that few (if any) other Britfolk musicians could attempt to emulate" [fRoots Magazine]

"In all On The Chalk is a beautiful, inventive trip into the past, although probably more akin to Julian House’s The Focus Group than to the Unthanks. Get it, listen to it and love it!" []